Peculiarity of Implementation of the National Cultural Code in Tatar Poetry and Prose of the Second Half of the XX Century
Alfiya F. Galimullina1, Gulfiya R. Gainullina2, Foat G. Galimullin3, Landish R. Faezova4, Aigul R. Gilmutdinova5
1Alfiya F. Galimullina, Kazan Federal University, Institute of Philology and Intercultural Communication.
2Gulfiya R. Gainullina, Kazan Federal University, Institute of Philology and Intercultural Communication.
3Foat G. Galimullin, Kazan Federal University, Institute of Philology and Intercultural Communication.
4Landish R. Faezova, Kazan Federal University, Institute of Philology and Intercultural Communication.
5Aigul R. Gilmutdinova, Kazan Federal University, Institute of Philology and Intercultural Communication.
Manuscript received on September 23, 2019. | Revised Manuscript received on October 15, 2019. | Manuscript published on October 30, 2019. | PP: 7421-7425 | Volume-9 Issue-1, October 2019 | Retrieval Number: A3106109119/2019©BEIESP | DOI: 10.35940/ijeat.A3106.109119
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© The Authors. Blue Eyes Intelligence Engineering and Sciences Publication (BEIESP). This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/)
Abstract: The study of the specifics of the manifestation of cultural codes in Tatar poetry and prose of the second half of the 20th century is of great scientific and practical interest. The timeliness of the chosen topic is conditioned by the need to identify the uniqueness, originality of Tatar national poetry and prose of the given period. At the same time, it should be noted that Tatar poetry and prose of the period of returning to national origins has not undergone comprehensive, holistic, detailed, structural study in terms of reflecting national identity. The goal of research: systematic and comprehensive study of the creative work of Tatar writers of the second half of the 20th century in respect of the aspect of the specifics of the manifestation of the national cultural code in them, identifying the nature of literary interactions and interrelations with Russian literature. The article deals with the specifics of the implementation of the Tatar national cultural code in the works of Amirkhan Eniki, Mirgaziyan Yunys, Ravil Bukharaev, Zulfat, Robert Minnullin, Renat Haris, Hassan Tufan and Ildar Yuzeev. The works under study reflect the Tatar national worldview and contain its main components: the image of homeland and native land, national holidays, moral and spiritual values and the history of the Tatar people. They also reflect the organic connection of the creative work of these writers and poets with the Tatar national culture and literature.
Keywords: A. Eniki, M. Yunys, R. Bukharaev, Zulfat, R. Minnullin, R. Haris, H. Tufan and I. Yuzeev, Tatar literature, cultural codes, national worldview, word pictures, moral and spiritual values of the Tatar people.